
Collaborations · Single
Lullaby
Jung Yuna
Released
Read moreRead less about Lullaby
Jung Yuna’s three-track single Lullaby sketches a larger album through its running order. “Tundra” opens without a voice. “City of February” brings isolation into the streets and “Lullaby” turns the promise of comfort into something more threatening.
The instruments change with that progression. Piano leads the opening piece. Harpsichord and Hammond organ sit inside “City of February” before electric guitar and bass join the final track. The release gives a first outline of the story without explaining it all at once.
Listen
My Part
- Creative Director
- Electric Guitar and Drum Programming · Track 3
- Programming and Synthesizer · All Tracks
- Songwriter · Tracks 2 and 3
- Composer · Track 1
- Producer and Mixer · All Tracks
Track Listing
- 01TundraJung YunaCreative Director, Programming, Synthesizer, Composer, Producer, and Mixer
- 02City of FebruaryJung YunaCreative Director, Programming, Synthesizer, Songwriter, Producer, and Mixer
- 03LullabyJung YunaCreative Director, Drum Programming, Electric Guitar, Programming, Synthesizer, Songwriter, Producer, and Mixer
Videos
Personnel
Performing Artists
- Jung Yuna
- Vocals · Tracks 2 and 3Piano, Kalimba · Track 3
- VORANAH
- Programming, Synthesizer · All TracksElectric Guitar, Drum Programming · Track 3
- Hayeon
- Piano · Track 1Harpsichord, Hammond Organ · Track 2
- Isaac Kim
- Electric Bass Guitar · Track 3
- Youngbae Jo
- Background Vocals · Track 3
Composition & Lyrics
- Alina Ten
- Composer · Track 1Songwriter · Tracks 2 and 3
- Bum Jun Kim
- Composer · Track 1Songwriter · Tracks 2 and 3
- Hayeon Jang
- Composer · Track 1Keyboard Arranger · Tracks 2 and 3
- Youngbae Jo
- Vocal Arranger · Track 3
Production & Engineering
- VORANAH
- Producer, Mixer · All Tracks
- VRNH Music & Sound
- Studio
- Youngbae Jo
- Vocal Producer · Tracks 2 and 3
- Ilpo Kärkkäinen
- Mastering Engineer · All Tracks
Artwork & Visuals
- VORANAH
- Creative Director
loose leaves
we built a world around her and put her at the center
i thought about the three tracks as parts of one story
“tundra” and “city of february” are connected
for “lullaby” i wanted her airy voice inside the guitars
you should feel it there without it sitting in front of everything
heavy guitars drums that still hit hard
we didn’t need a lot of instruments each part already carried weight
the synthesizers had to belong there too
i kept mixing toward that feeling even when the balance was unusual

